Editor’s note: This year, I am featuring one poet from Arcana: the Tarot Poetry Anthology each month. For August, Shloka Shankar shares how she began writing poems based on the Tarot as well as discusses her love of found poetry and ekphrasis.
Q: You mentioned that “The Fool’s Dog” is your first Tarot poem. How did you become interested in the Tarot?
I’ve always been fascinated by horoscopes and strongly believe in compatibility of zodiac signs and the like. My interest in Tarot was kindled when I first came cross the call for submissions from Arcana. Learning new forms/genres of writing and experimenting with the written word has been my foremost passions. I did a little research, started making notes for the cards that most interested me, and the result was “The Fool’s Dog”.
Q: I’m so happy you ventured into the world of Tarot because of our call for submissions! Would you be willing to say a little more about your experiments with writing? Have you written any zodiac-inspired poems? What are some of your favorite forms/genres of poetry?
Sure. I started writing poetry in my twentieth year, and they were largely dark, bleak, and sorrowful at best. I was introduced to Japanese short-forms in the winter of 2013 and since then, I’ve written a few hundred haiku, tanka, senryu, haibun, and haiga. As part of The Found Poetry Review’s National Poetry Writing Month in April 2015, I took part in their PoMoSco project and fell head over heels in love with found poetry, mostly erasures, remixing, and conceptual writing experiments including flarf. More recently, I’ve been dabbling in asemic writing.
Q: What is the Tarot scene like in India? Is it a popular form of divination and creative inspiration? Are other forms of divination more popular?
Tarot is quite popular in India. But I think astrology and palmistry still continue to hold sway over many a household.
Q: Personally, I tend to prefer Tarot decks that feature diverse people (especially women of color), like the Wizards Tarot and the Goddess Tarot. As an Indian woman, how do you feel about representation in Tarot art? What deck(s) do you use?
My knowledge of Tarot is rather limited to a little research on the Internet, and to the names of a few cards. It is interesting to take into account a sort of feminist reading (if I can label it that) of these decks. I would definitely like to learn more about the Wizards Tarot and the Goddess Tarot. Sadly, I’m not well-versed in Tarot reading and don’t possess a deck (yet).
Q: For your literary journal, Sonic Boom, you seek experimental and visual poetry as well as formal poetry (like haiku). How would you compare Tarot poetry with other forms of visual poetry?
Great question! I think Tarot poetry becomes, in one sense, a kind of Ekphrasis. The Tarot card and the poem complement each other in such a way, where neither is reduced to a mere descriptive exercise. I would say that the sum is greater than its parts, and Tarot poetry is definitely exhilarating in its multiple readings and interpretations. I hope Sonic Boom publishes a few Tarot inspired pieces in future!
Below is Shloka’s poem that will appear in the anthology:
The Fool’s Dog
Caught between the two worlds
of a nebulous beginning
and an inevitable end,
the Fool in me succumbs to vices.
Jung’s archetypes echo in my head
as the Eight of Wands casts dark shadows
in my subconscious, chained to lethargy.
A reversed Death card looks up
as I swim in a cesspool of whining;
the Wheel of Fortune spins and stops abruptly:
Change no longer in my grasp.
The King of Swords emerges
from his chrysalis, while I,
still flightless, move listlessly.
Ruled by the Lovers,
My mind is now subsumed
by confusions of the darkest kind;
the Gemini in me lurches forward.
The Ace of Cups spills over
and leaves only this emptiness.
Please consider pre-ordering Arcana: the Tarot Poetry Anthology on the Minor Arcana Press website!